(de theaterkrant about TATTARЯATTAT!) this production surprises young and old, and keeps on doing so by a clean staging. (...) TATTARЯATTAT! is a gem of visual theater of things, in which things - being boards and beams - remain things as such. no metaphorical or symbolical hassle, just an ode to imagination and play. (complete article in dutch)

 

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(de afgrond about world, end of a) “a clear and layered message, portrayed in an accessible and playful way. world, end of a is a confronting show, maybe just because of that message.” (complete article in dutch)

 

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(knack about pygmalion, ****) "pygmalion wins you over with interesting dramaturgy and perky rhythm." (complete article in dutch)

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(de standaard about pygmalion, ****) "the absurd and existential blend in perfectly with the comic and fantastic. binon and dousselaere are dreamers ideating in empty space. artists of life putting into perspective our performance oriented society of more, better, higher, further." (complete article in dutch)

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(de theaterkrant about x to the power of so much, ****) “the slow beauty in the game of objects and puppets is charming. the underlying sadness is touching. frieda again shows its talent. every refined theatre lover should see them at work. that is inevitable." (complete article in dutch)

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patrick vervueren on the evolution of objects through different frieda projects for www.corps-objet-image.com. (complete article)

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(marla kleine about the grannies) "the grannies is no performance to laugh out loud, but a story that makes you smile. it’s a performance asking for intense concentration and complete dedication of the public. only then the small gestures and minimal changes will be noticed. (…) a great performance.” (complete article in dutch)

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(about the grannies) “magical moments and fascinating speechlessness in this theatre festival.” (complete article in german)

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(de morgen about lampe, ***1/2) “lampe is a beautiful, essential and hopeful story about starting over.” (complete article in dutch)

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